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III. HIPPOLYTE CERES
In Madame Clarence's drawing-room the conversation turned upon love, and
many charming things were said about it.
"Love is a sacrifice," sighed Madame Cremeur.
"I agree with you," replied M. Boutourle with animation.
But Professor Haddock soon displayed his fastidious insolence.
"It seems to me," said he, "that the Penguin ladies have made
a great fuss since, through St. Mael's agency, they became viviparous. But
there is nothing to be particularly proud of in that, for it is a state they
share in common with cows and pigs, and even with orange and lemon trees, for
the seeds of these plants germinate in the pericarp."
"The self-importance which the Penguin ladies give themselves does not
go so far back as that," answered M. Boutourle. "It dates from the
day when the holy apostle gave them clothes. But this self-importance was long
kept in restraint, and displayed itself fully only with increased luxury of
dress and in a small section of society. For go only two leagues from Alca into
the country at harvest time, and you will see whether women are over-precise or
self-important."
On that day M. Hippolyte Ceres paid his first call. He was a Deputy of Alca,
and one of the youngest members of the House. His father was said to have kept
a dram shop, but he himself was a lawyer of robust physique, a good though
prolix speaker, with a self-important air and a reputation for ability.
"M. Ceres," said the mistress of the house, "your
constituency is one of the finest in Alca."
"And there are fresh improvements made in it every day, Madame."
"Unfortunately, it is impossible to take a stroll through it any
longer," said M. Boutourle.
"Why?" asked M. Ceres.
"On account of the motors, of course."
"Do not give them a bad name," answered the Deputy. "They are
our great national industry."
"I know. The Penguins of to-day make me think of the ancient Egyptians.
According to Clement of Alexandria, Taine tells us--though he misquotes the
text--the Egyptians worshipped the crocodiles that devoured them. The Penguins
to-day worship the motors that crush them. Without a doubt the future belongs
to the metal beast. We are no more likely to go back to cabs than we are to go
back to the diligence. And the long martyrdom of the horse will come to an end.
The motor, which the frenzied cupidity of manufacturers hurls like a
juggernaut's car upon the bewildered people and of which the idle and
fashionable make a foolish though fatal elegance, will soon begin to perform
its true function, and putting its strength at the service of the entire
people, will behave like a docile, toiling monster. But in order that the motor
may cease to be injurious and become beneficent we must build roads suited to
its speed, roads which it cannot tear up with its ferocious tyres, and from
which it will send no clouds of poisonous dust into human lungs. We ought not
to allow slower vehicles or mere animals to go upon those roads, and we should
establish garages upon them and foot-bridges over them, and so create order and
harmony among the means of communication of the future. That is the wish of
every good citizen."
Madame Clarence led the conversation back to the improvements in M. Ceres'
constituency. M. Ceres showed his enthusiasm for demolitions, tunnelings, constructions,
reconstructions, and all other fruitful operations.
"We build to-day in an admirable style," said he; "everywhere
majestic avenues are being reared. Was ever anything as fine as our arcaded
bridges and our domed hotels!"
"You are forgetting that big palace surmounted an immense melon-shaped
dome," grumbled by M. Daniset, an old art amateur, in a voice of
restrained rage. "I am amazed at the degree of ugliness which a modern
city can attain. Alca is becoming Americanised. Everywhere we are destroying
all that is free, unexpected, measured, restrained, human, or traditional among
the things that are left us. Everywhere we are destroying that charming object,
a piece of an old wall that bears up the branches of a tree. Everywhere we are
suppressing some fragment of light and air, some fragment of nature, some
fragment of the associations that still remain with us, some fragment of our
fathers, some fragment of ourselves. And we are putting up frightful, enormous,
infamous houses, surmounted in Viennese style by ridiculous domes, or fashioned
after the models of the 'new art' without mouldings, or having profiles with
sinister corbels and burlesque pinnacles, and such monsters as these
shamelessly peer over the surrounding buildings. We see bulbous protuberances
stuck on the fronts of buildings and we are told they are 'new art' motives. I
have seen the 'new art' in other countries, but it is not so ugly as with us;
it has fancy and it has simplicity. It is only in our own country that by a sad
privilege we may behold the newest and most diverse styles of architectural
ugliness. Not an enviable privilege!"
"Are you not afraid," asked M. Ceres severely, "are you not
afraid that these bitter criticisms tend to keep out of our capital the
foreigners who flow into it from all arts of the world and who leave millions
behind them?"
"You may set your mind at rest about that," answered M. Daniset.
"Foreigners do not come to admire our buildings; they come to see our
courtesans, our dressmakers, and our dancing saloons."
"We have one bad habit," sighed M. Ceres, "it is that we
calumniate ourselves."
Madame Clarence as an accomplished hostess thought it was time to return to
the subject of love and asked M. Jumel his opinion of M. Leon Blum's recent
book in which the author complained. . . .
". . . That an irrational custom," went on Professor Haddock,
"prevents respectable young ladies from making love, a thing they would
enjoy doing, whilst mercenary girls do it too much and without getting any
enjoyment out of it. It is indeed deplorable. But M. Leon Blum need not fret
too much. If the evil exists, as he says it does, in our middle-class society,
I can assure him that everywhere else he would see a consoling spectacle. Among
the people, the mass of the people through town and country, girls do not deny
themselves that pleasure."
"It is depravity!" said Madame Cremeur.
And she praised the innocence of young girls in terms full of modesty and
grace. It was charming to hear her.
Professor Haddock's views on the same subject were, on the contrary, painful
to listen to.
"Respectable young girls," said he, "are guarded and watched
over. Besides, men do not, as a rule, pursue them much, either through probity,
or from a fear of grave responsibilities, or because the seduction of a young
girl would not be to their credit. Even then we do not know what really takes
place, for the reason that what is hidden is not seen. This is a condition
necessary to the existence of all society. The scruples of respectable young girls
could be more easily overcome than those of married women if the same pressure
were brought to bear on them, and for this there are two reasons: they have
more illusions, and their curiosity has not been satisfied. Women, for the most
part, have been so disappointed by their husbands that they have not courage
enough to begin again with somebody else. I myself have been met by this
obstacle several times in my attempts at seduction."
At the moment when Professor Haddock ended his unpleasant remarks, Mademoiselle
Eveline Clarence entered the drawing-room and listlessly handed about tea with
that expression of boredom which gave an oriental charm to her beauty.
"For my part," said Hippolyte Ceres, looking at her, "I
declare myself the young ladies' champion."
"He must be a fool," thought the girl.
Hippolyte Ceres, who had never set foot outside of his political world of
electors and elected, thought Madame Clarence's drawing-room most select, its
mistress exquisite, and her daughter amazingly beautiful. His visits became
frequent and he paid court to both of them. Madame Clarence, who now liked
attention, thought him agreeable. Eveline showed no friendliness towards him,
and treated him with a hauteur and disdain that he took for aristocratic
behaviour and fashionable manners, and he thought all the more of her on that
account. This busy man taxed his ingenuity to please them, and he sometimes
succeeded. He got them cards for fashionable functions and boxes at the Opera.
He furnished Mademoiselle Clarence with several opportunities of appearing to
great advantage and in particular at a garden party which, although given by a
Minister, was regarded as really fashionable, and gained its first success in
society circles for the Republic.
At that party Eveline had been much noticed and had attracted the special
attention of a young diplomat called Roger Lambilly who, imagining that she
belonged to a rather fast set, invited her to his bachelor's flat. She thought
him handsome and believed him rich, and she accepted. A little moved, almost
disquieted, she very nearly became the victim of her daring, and only avoided
defeat by an offensive measure audaciously carried out. This was the most
foolish escapade in her unmarried life.
Being now on friendly terms with Ministers and with the President, Eveline
continued to wear her aristocratic and pious affectations, and these won for
her the sympathy of the chief personages in the anti-clerical and democratic
Republic. M. Hippolyte Ceres, seeing that she was succeeding and doing him
credit, liked her still more. He even went so far as to fall madly in love with
her.
Henceforth, in spite of everything, she began to observe him with interest,
being curious to see if his passion would increase. He appeared to her without
elegance or grace, and not well bred, but active, clear-sighted, full of
resource, and not too great a bore. She still made fun of him, but he had now
won her interest.
One day she wished to test him. It was during the elections, when members of
Parliament were, as the phrase runs, requesting a renewal of their mandates. He
had an opponent, who, though not dangerous at first and not much of an orator,
was rich and was reported to be gaining votes every day. Hippolyte Ceres,
banishing both dull security and foolish alarm from his mind, redoubled his
care. His chief method of action was by public meetings at which he spoke
vehemently against the rival candidate. His committee held huge meetings on
Saturday evenings and at three o'clock on Sunday afternoons. One Sunday, as he
called on the Clarences, he found Eveline alone in the drawing-room. He had
been chatting for about twenty or twenty-five minutes, when, taking out his
watch, he saw that it was a quarter to three. The young girl showed herself
amiable, engaging, attractive, and full of promises. Ceres was fascinated, but
he stood up to go.
"Stay a little longer," said she in a pressing and agreeable voice
which made him promptly sit down again.
She was full of interest, of abandon, curiosity, and weakness. He blushed,
turned pale, and again got up.
Then, in order to keep him still longer, she looked at him out of two grey
and melting eyes, and though her bosom was heaving, she did not say another
word. He fell at her feet in distraction,, but once more looking at his watch,
he jumped up with a terrible oath.
"D--! a quarter to four! I must be off."
And immediately he rushed down the stairs.
From that time onwards she had a certain amount of esteem for him.
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