When
she reached the attic door and opened it, her heart gave a dreary little thump.
Then she shut the door and stood against it and looked about her.
Yes,
this was another world. The room had a slanting roof and was whitewashed. The
whitewash was dingy and had fallen off in places. There was a rusty grate, an
old iron bedstead, and a hard bed covered with a faded coverlet. Some pieces of
furniture too much worn to be used downstairs had been sent up. Under the
skylight in the roof, which showed nothing but an oblong piece of dull gray
sky, there stood an old battered red footstool. Sara went to it and sat down.
She seldom cried. She did not cry now. She laid Emily across her knees and put
her face down upon her and her arms around her, and sat there, her little black
head resting on the black draperies, not saying one word, not making one sound.
And
as she sat in this silence there came a low tap at the door--such a low, humble
one that she did not at first hear it, and, indeed, was not roused until the door
was timidly pushed open and a poor tear-smeared face appeared peeping round it.
It was Becky's face, and Becky had been crying furtively for hours and rubbing
her eyes with her kitchen apron until she looked strange indeed.
"Oh,
miss," she said under her breath. "Might I--would you allow me--jest
to come in?"
Sara
lifted her head and looked at her. She tried to begin a smile, and somehow she
could not. Suddenly--and it was all through the loving mournfulness of Becky's
streaming eyes--her face looked more like a child's not so much too old for her
years. She held out her hand and gave a little sob.
"Oh,
Becky," she said. "I told you we were just the same--only two little
girls--just two little girls. You see how true it is. There's no difference
now. I'm not a princess anymore."
Becky
ran to her and caught her hand, and hugged it to her breast, kneeling beside
her and sobbing with love and pain.
"Yes,
miss, you are," she cried, and her words were all broken. "Whats'ever 'appens to you--whats'ever--you'd be a princess all the same--an' nothin' couldn't make you nothin'
different."
In the Attic
The
first night she spent in her attic was a thing Sara never forgot. During its
passing she lived through a wild, unchildlike woe of
which she never spoke to anyone about her. There was no one who would have
understood. It was, indeed, well for her that as she lay awake in the darkness
her mind was forcibly distracted, now and then, by the strangeness of her
surroundings. It was, perhaps, well for her that she was reminded by her small
body of material things. If this had not been so, the anguish of her young mind
might have been too great for a child to bear. But, really, while the night was
passing she scarcely knew that she had a body at all or remembered any other
thing than one.
"My
papa is dead!" she kept whispering to herself. "My papa is
dead!"
It
was not until long afterward that she realized that her bed had been so hard
that she turned over and over in it to find a place to rest, that the darkness
seemed more intense than any she had ever known, and that the wind howled over
the roof among the chimneys like something which wailed aloud. Then there was
something worse. This was certain scufflings and scratchings and squeakings in the
walls and behind the skirting boards. She knew what they meant, because Becky
had described them. They meant rats and mice who were either fighting with each
otherï ()oï
or playing together. Once or twice she even heard sharp-toed feet scurrying
across the floor, and she remembered in those after days, when she recalled
things, that when first she heard them she started up in bed and sat trembling,
and when she lay down again covered her head with the bedclothes.
The
change in her life did not come about gradually, but was made all at once.
"She
must begin as she is to go on," Miss Minchin said to Miss Amelia.
"She must be taught at once what she is to expect."
Mariette had left the house the next morning. The glimpse
Sara caught of her sitting room, as she passed its open door, showed her that
everything had been changed. Her ornaments and luxuries had been removed, and a
bed had been placed in a corner to transform it into a new pupil's bedroom.
When
she went down to breakfast she saw that her seat at Miss Minchin's side was
occupied by Lavinia, and Miss Minchin spoke to her
coldly.
"You
will begin your new duties, Sara," she said, "by taking your seat
with the younger children at a smaller table. You must keep them quiet, and see
that they behave well and do not waste their food. You ought to have been down
earlier. Lottie has already upset her tea."
That
was the beginning, and from day to day the duties given to her were added to.
She taught the younger children French and heard their other lessons, and these
were the least of her labors. It was found that she could be made use of in
numberless directions. She could be sent on errands at any time and in all
weathers. She could be told to do things other people neglected. The cook and
the housemaids took their tone from Miss Minchin, and rather enjoyed ordering
about the "young one" who had been made so much fuss over for so
long. They were not servants of the best class, and had neither good manners
nor good tempers, and it was frequently convenient to have at hand someone on
whom blame could be laid.
During
the first month or two, Sara thought that her willingness to do things as well
as she could, and her silence under reproof, might soften those who drove her
so hard. In her proud little heart she wanted them to see that she was trying
to earn her living and not accepting charity. But the time came when she saw
that no one was softened at all; and the more willing she was to do as she was
told, the more domineering and exacting careless housemaids became, and the
more ready a scolding cook was to blame her.
If she had been older, Miss Minchin would have given her the bigger
girls to teach and saved money by dismissing an instructress; but while she
remained and looked like a child, she could be made more useful as a sort of
little superior errand girl and maid of all work. An ordinary errand boy
would not have been so clever and reliable. Sara could be trusted with
difficult commissions and complicated messages. She could even go and pay
bills, and she combined with this the ability to dust a room well and to set
things in order.
Her
own lessons became things of the past. She was taught nothing, and only after
long and busy days spent in running here and there at everybody's orders was
she grudgingly allowed to go into the deserted schoolroom, with a pile of old
books, and study alone at night. "If I do not remind myself of the things
I have learned, perhaps I may forget them," she said to herself. "I
am almost a scullery maid, and if I am a scullery maid who knows nothing, I
shall be like poor Becky. I wonder if I could quite forget and begin to drop my
h's and not remember that Henry the Eighth had six
wives."
One
of the most curious things in her new existence was her changed position among
the pupils. Instead of being a sort of small royal personage among them, she no
longer seemed to be one of their number at all. She
was kept so constantly at work that she scarcely ever had an opportunity of
speaking to any of them, and she could not avoid seeing that Miss Minchin preferred
that she should live a life apart from that of the occupants of the schoolroom.
"I
will not have her forming intimacies and talking to the other children,"
that lady said. "Girls like a grievance, and if she begins to tell
romantic stories about herself, she will become an ill-used heroine, and
parents will be given a wrong impression. It is better that she should live a
separate life--one suited to her circumstances. I am giving her a home, and
that is more than she has any right to expect from me."
Sara
did not expect much, and was far too proud to try to continue to be intimate
with girls who evidently felt rather awkward and uncertain about her. The fact
was that Miss Minchin's pupils were a set of dull, matter-of-fact young people.
They were accustomed to being rich and comfortable, and as Sara's frocks grew
shorter and shabbier and queerer-looking, and it became an established fact
that she wore shoes with holes in them and was sent out to buy groceries and carry
them through the streets in a basket on her arm when the cook wanted them in a
hurry, they felt rather as if, when they spoke to her, they were addressing an
under servant. "To think that she was the girl with the diamond mines, Lavinia commented. "She does
look an object. And she's queerer than ever. I never liked her much, but I
can't bear that way she has now of looking at people without speaking--just as
if she was finding them out."
"I
am," said Sara, promptly, when she heard of this. "That's what I look
at some people for. I like to know about them. I think them over
afterward."
The
truth was that she had saved herself annoyance several times by keeping her eye
on Lavinia, who was quite ready to make mischief, and
would have been rather pleased to have made it for the ex-show pupil.
Sara
never made any mischief herself, or interfered with anyone. She worked like a
drudge; she tramped through the wet streets, carrying parcels and baskets; she
labored with the childish inattention of the little ones' French lessons; as
she became shabbier and more forlorn-looking, she was told that she had better
take her meals downstairs; she was treated as if she was nobody's concern, and
her heart grew proud and sore, but she never told anyone what she felt.
"Soldiers
don't complain," she would say between her small, shut teeth, "I am
not going to do it; I will pretend this is part of a war."
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