Happily Archer was of the family, and therefore, irregular though his
arrival was, entitled to be informed that the Countess Olenska was out, having
driven to afternoon service with Mrs. van der Luyden exactly three quarters of
an hour earlier.
"Mr. van der Luyden," the butler continued, "is in, sir; but
my impression is that he is either finishing his nap or else reading
yesterday's Evening Post. I heard him say, sir, on his return from church this
morning, that he intended to look through the Evening Post after luncheon; if
you like, sir, I might go to the library door and listen--"
But Archer, thanking him, said that he would go and meet the ladies; and the
butler, obviously relieved, closed the door on him majestically.
A groom took the cutter to the stables, and Archer struck through the park
to the high-road. The village of Skuytercliff was only a mile and a half away,
but he knew that Mrs. van der Luyden never walked, and that he must keep to the
road to meet the carriage. Presently, however, coming down a foot-path that
crossed the highway, he caught sight of a slight figure in a red cloak, with a
big dog running ahead. He hurried forward, and Madame Olenska stopped short
with a smile of welcome.
"Ah, you've come!" she said, and drew her hand from her muff.
The red cloak made her look gay and vivid, like the Ellen Mingott of old
days; and he laughed as he took her hand, and answered: "I came to see
what you were running away from."
Her face clouded over, but she answered: "Ah, well-- you will see,
presently."
The answer puzzled him. "Why--do you mean that you've been
overtaken?"
She shrugged her shoulders, with a little movement like Nastasia's, and
rejoined in a lighter tone: "Shall we walk on? I'm so cold after the
sermon. And what does it matter, now you're here to protect me?"
The blood rose to his temples and he caught a fold of her cloak.
"Ellen--what is it? You must tell me."
"Oh, presently--let's run a race first: my feet are freezing to the
ground," she cried; and gathering up the cloak she fled away across the
snow, the dog leaping about her with challenging barks. For a moment Archer
stood watching, his gaze delighted by the flash of the red meteor against the
snow; then he started after her, and they met, panting and laughing, at a
wicket that led into the park.
She looked up at him and smiled. "I knew you'd come!"
"That shows you wanted me to," he returned, with a
disproportionate joy in their nonsense. The white glitter of the trees filled
the air with its own mysterious brightness, and as they walked on over the snow
the ground seemed to sing under their feet.
"Where did you come from?" Madame Olenska asked.
He told her, and added: "It was because I got your note."
After a pause she said, with a just perceptible chill in her voice:
"May asked you to take care of me."
"I didn't need any asking."
"You mean--I'm so evidently helpless and defenceless? What a poor thing
you must all think me! But women here seem not--seem never to feel the need:
any more than the blessed in heaven."
He lowered his voice to ask: "What sort of a need?"
"Ah, don't ask me! I don't speak your language," she retorted
petulantly.
The answer smote him like a blow, and he stood still in the path, looking
down at her.
"What did I come for, if I don't speak yours?"
"Oh, my friend--!" She laid her hand lightly on his arm, and he
pleaded earnestly: "Ellen--why won't you tell me what's happened?"
She shrugged again. "Does anything ever happen in heaven?"
He was silent, and they walked on a few yards without exchanging a word.
Finally she said: "I will tell you--but where, where, where? One can't be
alone for a minute in that great seminary of a house, with all the doors wide
open, and always a servant bringing tea, or a log for the fire, or the
newspaper! Is there nowhere in an American house where one may be by one's
self? You're so shy, and yet you're so public. I always feel as if I were in the
convent again--or on the stage, before a dreadfully polite audience that never
applauds."
"Ah, you don't like us!" Archer exclaimed.
They were walking past the house of the old Patroon, with its squat walls
and small square windows compactly grouped about a central chimney. The
shutters stood wide, and through one of the newly-washed windows Archer caught
the light of a fire.
"Why--the house is open!" he said.
She stood still. "No; only for today, at least. I wanted to see it, and
Mr. van der Luyden had the fire lit and the windows opened, so that we might
stop there on the way back from church this morning." She ran up the steps
and tried the door. "It's still unlocked--what luck! Come in and we can
have a quiet talk. Mrs. van der Luyden has driven over to see her old aunts at
Rhinebeck and we shan't be missed at the house for another hour."
He followed her into the narrow passage. His spirits, which had dropped at
her last words, rose with an irrational leap. The homely little house stood
there, its panels and brasses shining in the firelight, as if magically created
to receive them. A big bed of embers still gleamed in the kitchen chimney,
under an iron pot hung from an ancient crane. Rush-bottomed arm-chairs faced
each other across the tiled hearth, and rows of Delft plates stood on shelves
against the walls. Archer stooped over and threw a log upon the embers.
Madame Olenska, dropping her cloak, sat down in one of the chairs. Archer
leaned against the chimney and looked at her.
"You're laughing now; but when you wrote me you were unhappy," he
said.
"Yes." She paused. "But I can't feel unhappy when you're
here."
"I sha'n't be here long," he rejoined, his lips stiffening with
the effort to say just so much and no more.
"No; I know. But I'm improvident: I live in the moment when I'm
happy."
The words stole through him like a temptation, and to close his senses to it
he moved away from the hearth and stood gazing out at the black tree-boles
against the snow. But it was as if she too had shifted her place, and he still
saw her, between himself and the trees, drooping over the fire with her
indolent smile. Archer's heart was beating insubordinately. What if it were
from him that she had been running away, and if she had waited to tell him so
till they were here alone together in this secret room?
"Ellen, if I'm really a help to you--if you really wanted me to
come--tell me what's wrong, tell me what it is you're running away from,"
he insisted.
He spoke without shifting his position, without even turning to look at her:
if the thing was to happen, it was to happen in this way, with the whole width
of the room between them, and his eyes still fixed on the outer snow.
For a long moment she was silent; and in that moment Archer imagined her,
almost heard her, stealing up behind him to throw her light arms about his
neck. While he waited, soul and body throbbing with the miracle to come, his
eyes mechanically received the image of a heavily-coated man with his fur
collar turned up who was advancing along the path to the house. The man was
Julius Beaufort.
"Ah--!" Archer cried, bursting into a laugh.
Madame Olenska had sprung up and moved to his side, slipping her hand into
his; but after a glance through the window her face paled and she shrank back.
"So that was it?" Archer said derisively.
"I didn't know he was here," Madame Olenska murmured. Her hand
still clung to Archer's; but he drew away from her, and walking out into the
passage threw open the door of the house.
"Hallo, Beaufort--this way! Madame Olenska was expecting you," he
said.
During his journey back to New York the next morning, Archer relived with a
fatiguing vividness his last moments at Skuytercliff.
Beaufort, though clearly annoyed at finding him with Madame Olenska, had, as
usual, carried off the situation high-handedly. His way of ignoring people
whose presence inconvenienced him actually gave them, if they were sensitive to
it, a feeling of invisibility, of nonexistence. Archer, as the three strolled
back through the park, was aware of this odd sense of disembodiment; and
humbling as it was to his vanity it gave him the ghostly advantage of observing
unobserved.
Beaufort had entered the little house with his usual easy assurance; but he
could not smile away the vertical line between his eyes. It was fairly clear
that Madame Olenska had not known that he was coming, though her words to
Archer had hinted at the possibility; at any rate, she had evidently not told
him where she was going when she left New York, and her unexplained departure
had exasperated him. The ostensible reason of his appearance was the discovery,
the very night before, of a "perfect little house," not in the
market, which was really just the thing for her, but would be snapped up
instantly if she didn't take it; and he was loud in mock-reproaches for the
dance she had led him in running away just as he had found it.
"If only this new dodge for talking along a wire had been a little bit
nearer perfection I might have told you all this from town, and been toasting
my toes before the club fire at this minute, instead of tramping after you
through the snow," he grumbled, disguising a real irritation under the
pretence of it; and at this opening Madame Olenska twisted the talk away to the
fantastic possibility that they might one day actually converse with each other
from street to street, or even-- incredible dream!--from one town to another.
This struck from all three allusions to Edgar Poe and Jules Verne, and such
platitudes as naturally rise to the lips of the most intelligent when they are
talking against time, and dealing with a new invention in which it would seem
ingenuous to believe too soon; and the question of the telephone carried them
safely back to the big house.
|