|
Mrs. van der Luyden had not yet returned; and Archer took his leave and
walked off to fetch the cutter, while Beaufort followed the Countess Olenska
indoors. It was probable that, little as the van der Luydens encouraged
unannounced visits, he could count on being asked to dine, and sent back to the
station to catch the nine o'clock train; but more than that he would certainly
not get, for it would be inconceivable to his hosts that a gentleman travelling
without luggage should wish to spend the night, and distasteful to them to
propose it to a person with whom they were on terms of such limited cordiality
as Beaufort.
Beaufort knew all this, and must have foreseen it; and his taking the long
journey for so small a reward gave the measure of his impatience. He was
undeniably in pursuit of the Countess Olenska; and Beaufort had only one object
in view in his pursuit of pretty women. His dull and childless home had long
since palled on him; and in addition to more permanent consolations he was
always in quest of amorous adventures in his own set. This was the man from
whom Madame Olenska was avowedly flying: the question was whether she had fled
because his importunities displeased her, or because she did not wholly trust
herself to resist them; unless, indeed, all her talk of flight had been a
blind, and her departure no more than a manoeuvre.
Archer did not really believe this. Little as he had actually seen of Madame
Olenska, he was beginning to think that he could read her face, and if not her
face, her voice; and both had betrayed annoyance, and even dismay, at
Beaufort's sudden appearance. But, after all, if this were the case, was it not
worse than if she had left New York for the express purpose of meeting him? If
she had done that, she ceased to be an object of interest, she threw in her lot
with the vulgarest of dissemblers: a woman engaged in a love affair with
Beaufort "classed" herself irretrievably.
No, it was worse a thousand times if, judging Beaufort, and probably
despising him, she was yet drawn to him by all that gave him an advantage over
the other men about her: his habit of two continents and two societies, his
familiar association with artists and actors and people generally in the
world's eye, and his careless contempt for local prejudices. Beaufort was vulgar,
he was uneducated, he was purse-proud; but the circumstances of his life, and a
certain native shrewdness, made him better worth talking to than many men,
morally and socially his betters, whose horizon was bounded by the Battery and
the Central Park. How should any one coming from a wider world not feel the
difference and be attracted by it?
Madame Olenska, in a burst of irritation, had said to Archer that he and she
did not talk the same language; and the young man knew that in some respects
this was true. But Beaufort understood every turn of her dialect, and spoke it
fluently: his view of life, his tone, his attitude, were merely a coarser
reflection of those revealed in Count Olenski's letter. This might seem to be
to his disadvantage with Count Olenski's wife; but Archer was too intelligent
to think that a young woman like Ellen Olenska would necessarily recoil from
everything that reminded her of her past. She might believe herself wholly in
revolt against it; but what had charmed her in it would still charm her, even
though it were against her will.
Thus, with a painful impartiality, did the young man make out the case for
Beaufort, and for Beaufort's victim. A longing to enlighten her was strong in
him; and there were moments when he imagined that all she asked was to be
enlightened.
That evening he unpacked his books from London. The box was full of things
he had been waiting for impatiently; a new volume of Herbert Spencer, another
collection of the prolific Alphonse Daudet's brilliant tales, and a novel
called "Middlemarch," as to which there had lately been interesting
things said in the reviews. He had declined three dinner invitations in favour
of this feast; but though he turned the pages with the sensuous joy of the
book-lover, he did not know what he was reading, and one book after another
dropped from his hand. Suddenly, among them, he lit on a small volume of verse
which he had ordered because the name had attracted him: "The House of
Life." He took it up, and found himself plunged in an atmosphere unlike
any he had ever breathed in books; so warm, so rich, and yet so ineffably
tender, that it gave a new and haunting beauty to the most elementary of human
passions. All through the night he pursued through those enchanted pages the
vision of a woman who had the face of Ellen Olenska; but when he woke the next
morning, and looked out at the brownstone houses across the street, and thought
of his desk in Mr. Letterblair's office, and the family pew in Grace Church,
his hour in the park of Skuytercliff became as far outside the pale of
probability as the visions of the night.
"Mercy, how pale you look, Newland!" Janey commented over the
coffee-cups at breakfast; and his mother added: "Newland, dear, I've
noticed lately that you've been coughing; I do hope you're not letting yourself
be overworked?" For it was the conviction of both ladies that, under the
iron despotism of his senior partners, the young man's life was spent in the
most exhausting professional labours--and he had never thought it necessary to
undeceive them.
The next two or three days dragged by heavily. The taste of the usual was
like cinders in his mouth, and there were moments when he felt as if he were
being buried alive under his future. He heard nothing of the Countess Olenska,
or of the perfect little house, and though he met Beaufort at the club they
merely nodded at each other across the whist-tables. It was not till the fourth
evening that he found a note awaiting him on his return home. "Come late
tomorrow: I must explain to you. Ellen." These were the only words it
contained.
The young man, who was dining out, thrust the note into his pocket, smiling
a little at the Frenchness of the "to you." After dinner he went to a
play; and it was not until his return home, after midnight, that he drew Madame
Olenska's missive out again and re-read it slowly a number of times. There were
several ways of answering it, and he gave considerable thought to each one
during the watches of an agitated night. That on which, when morning came, he
finally decided was to pitch some clothes into a portmanteau and jump on board
a boat that was leaving that very afternoon for St. Augustine.
XVI.
When Archer walked down the sandy main street of St. Augustine to the house
which had been pointed out to him as Mr. Welland's, and saw May Welland
standing under a magnolia with the sun in her hair, he wondered why he had
waited so long to come.
Here was the truth, here was reality, here was the life that belonged to
him; and he, who fancied himself so scornful of arbitrary restraints, had been
afraid to break away from his desk because of what people might think of his
stealing a holiday!
Her first exclamation was: "Newland--has anything happened?" and
it occurred to him that it would have been more "feminine" if she had
instantly read in his eyes why he had come. But when he answered: "Yes--I
found I had to see you," her happy blushes took the chill from her
surprise, and he saw how easily he would be forgiven, and how soon even Mr.
Letterblair's mild disapproval would be smiled away by a tolerant family.
Early as it was, the main street was no place for any but formal greetings,
and Archer longed to be alone with May, and to pour out all his tenderness and
his impatience. It still lacked an hour to the late Welland breakfast-time, and
instead of asking him to come in she proposed that they should walk out to an
old orange-garden beyond the town. She had just been for a row on the river,
and the sun that netted the little waves with gold seemed to have caught her in
its meshes. Across the warm brown of her cheek her blown hair glittered like
silver wire; and her eyes too looked lighter, almost pale in their youthful
limpidity. As she walked beside Archer with her long swinging gait her face
wore the vacant serenity of a young marble athlete.
To Archer's strained nerves the vision was as soothing as the sight of the
blue sky and the lazy river. They sat down on a bench under the orange-trees
and he put his arm about her and kissed her. It was like drinking at a cold
spring with the sun on it; but his pressure may have been more vehement than he
had intended, for the blood rose to her face and she drew back as if he had
startled her.
"What is it?" he asked, smiling; and she looked at him with
surprise, and answered: "Nothing."
A slight embarrassment fell on them, and her hand slipped out of his. It was
the only time that he had kissed her on the lips except for their fugitive
embrace in the Beaufort conservatory, and he saw that she was disturbed, and
shaken out of her cool boyish composure.
"Tell me what you do all day," he said, crossing his arms under
his tilted-back head, and pushing his hat forward to screen the sun-dazzle. To
let her talk about familiar and simple things was the easiest way of carrying
on his own independent train of thought; and he sat listening to her simple
chronicle of swimming, sailing and riding, varied by an occasional dance at the
primitive inn when a man-of-war came in. A few pleasant people from
Philadelphia and Baltimore were picknicking at the inn, and the Selfridge
Merrys had come down for three weeks because Kate Merry had had bronchitis.
They were planning to lay out a lawn tennis court on the sands; but no one but
Kate and May had racquets, and most of the people had not even heard of the
game.
All this kept her very busy, and she had not had time to do more than look
at the little vellum book that Archer had sent her the week before (the
"Sonnets from the Portuguese"); but she was learning by heart
"How they brought the Good News from Ghent to Aix," because it was
one of the first things he had ever read to her; and it amused her to be able
to tell him that Kate Merry had never even heard of a poet called Robert
Browning.
|