"I
came out to get a breath of air. The hotel's too stifling. I'm taking the
afternoon train back to Portsmouth."
They
sat silent, not looking at each other, but straight ahead at the people passing
along the path. Finally she turned her eyes again to his face and said:
"You're not changed."
He
felt like answering: "I was, till I saw you again;" but instead he
stood up abruptly and glanced about him at the untidy sweltering park.
"This
is horrible. Why shouldn't we go out a little on the bay? There's a breeze, and
it will be cooler. We might take the steamboat down to Point Arley." She
glanced up at him hesitatingly and he went on: "On a Monday morning there
won't be anybody on the boat. My train doesn't leave till evening: I'm going
back to New York. Why shouldn't we?" he insisted, looking down at her; and
suddenly he broke out: "Haven't we done all we could?"
"Oh"--she
murmured again. She stood up and reopened her sunshade, glancing about her as
if to take counsel of the scene, and assure herself of the impossibility of
remaining in it. Then her eyes returned to his face. "You mustn't say
things like that to me," she said.
"I'll
say anything you like; or nothing. I won't open my mouth unless you tell me to.
What harm can it do to anybody? All I want is to listen to you," he
stammered.
She
drew out a little gold-faced watch on an enamelled chain. "Oh, don't
calculate," he broke out; "give me the day! I want to get you away
from that man. At what time was he coming?"
Her
colour rose again. "At eleven."
"Then
you must come at once."
"You
needn't be afraid--if I don't come."
"Nor
you either--if you do. I swear I only want to hear about you, to know what
you've been doing. It's a hundred years since we've met--it may be another
hundred before we meet again."
She
still wavered, her anxious eyes on his face. "Why didn't you come down to
the beach to fetch me, the day I was at Granny's?" she asked.
"Because
you didn't look round--because you didn't know I was there. I swore I wouldn't
unless you looked round." He laughed as the childishness of the confession
struck him.
"But
I didn't look round on purpose."
"On
purpose?"
"I
knew you were there; when you drove in I recognised the ponies. So I went down
to the beach."
"To
get away from me as far as you could?"
She
repeated in a low voice: "To get away from you as far as I could."
He
laughed out again, this time in boyish satisfaction. "Well, you see it's
no use. I may as well tell you," he added, "that the business I came
here for was just to find you. But, look here, we must start or we shall miss
our boat."
"Our
boat?" She frowned perplexedly, and then smiled. "Oh, but I must go
back to the hotel first: I must leave a note--"
"As
many notes as you please. You can write here." He drew out a note-case and
one of the new stylographic pens. "I've even got an envelope--you see how
everything's predestined! There--steady the thing on your knee, and I'll get
the pen going in a second. They have to be humoured; wait--" He banged the
hand that held the pen against the back of the bench. "It's like jerking
down the mercury in a thermometer: just a trick. Now try--"
She
laughed, and bending over the sheet of paper which he had laid on his
note-case, began to write. Archer walked away a few steps, staring with radiant
unseeing eyes at the passersby, who, in their turn, paused to stare at the
unwonted sight of a fashionablydressed lady writing a note on her knee on a
bench in the Common.
Madame
Olenska slipped the sheet into the envelope, wrote a name on it, and put it
into her pocket. Then she too stood up.
They
walked back toward Beacon Street, and near the club Archer caught sight of the
plush-lined "herdic" which had carried his note to the Parker House,
and whose driver was reposing from this effort by bathing his brow at the
corner hydrant.
"I
told you everything was predestined! Here's a cab for us. You see!" They
laughed, astonished at the miracle of picking up a public conveyance at that
hour, and in that unlikely spot, in a city where cab-stands were still a
"foreign" novelty.
Archer,
looking at his watch, saw that there was time to drive to the Parker House
before going to the steamboat landing. They rattled through the hot streets and
drew up at the door of the hotel.
Archer
held out his hand for the letter. "Shall I take it in?" he asked; but
Madame Olenska, shaking her head, sprang out and disappeared through the glazed
doors. It was barely half-past ten; but what if the emissary, impatient for her
reply, and not knowing how else to employ his time, were already seated among
the travellers with cooling drinks at their elbows of whom Archer had caught a
glimpse as she went in?
He
waited, pacing up and down before the herdic. A Sicilian youth with eyes like
Nastasia's offered to shine his boots, and an Irish matron to sell him peaches;
and every few moments the doors opened to let out hot men with straw hats
tilted far back, who glanced at him as they went by. He marvelled that the door
should open so often, and that all the people it let out should look so like each
other, and so like all the other hot men who, at that hour, through the length
and breadth of the land, were passing continuously in and out of the swinging
doors of hotels.
And
then, suddenly, came a face that he could not relate to the other faces. He
caught but a flash of it, for his pacings had carried him to the farthest point
of his beat, and it was in turning back to the hotel that he saw, in a group of
typical countenances--the lank and weary, the round and surprised, the
lantern-jawed and mild--this other face that was so many more things at once,
and things so different. It was that of a young man, pale too, and
half-extinguished by the heat, or worry, or both, but somehow, quicker,
vivider, more conscious; or perhaps seeming so because he was so different.
Archer hung a moment on a thin thread of memory, but it snapped and floated off
with the disappearing face--apparently that of some foreign business man,
looking doubly foreign in such a setting. He vanished in the stream of
passersby, and Archer resumed his patrol.
He
did not care to be seen watch in hand within view of the hotel, and his unaided
reckoning of the lapse of time led him to conclude that, if Madame Olenska was
so long in reappearing, it could only be because she had met the emissary and
been waylaid by him. At the thought Archer's apprehension rose to anguish.
"If
she doesn't come soon I'll go in and find her," he said.
The
doors swung open again and she was at his side. They got into the herdic, and
as it drove off he took out his watch and saw that she had been absent just
three minutes. In the clatter of loose windows that made talk impossible they
bumped over the disjointed cobblestones to the wharf.
Seated
side by side on a bench of the half-empty boat they found that they had hardly
anything to say to each other, or rather that what they had to say communicated
itself best in the blessed silence of their release and their isolation.
As
the paddle-wheels began to turn, and wharves and shipping to recede through the
veil of heat, it seemed to Archer that everything in the old familiar world of
habit was receding also. He longed to ask Madame Olenska if she did not have
the same feeling: the feeling that they were starting on some long voyage from
which they might never return. But he was afraid to say it, or anything else
that might disturb the delicate balance of her trust in him. In reality he had
no wish to betray that trust. There had been days and nights when the memory of
their kiss had burned and burned on his lips; the day before even, on the drive
to Portsmouth, the thought of her had run through him like fire; but now that
she was beside him, and they were drifting forth into this unknown world, they
seemed to have reached the kind of deeper nearness that a touch may sunder.
As
the boat left the harbour and turned seaward a breeze stirred about them and
the bay broke up into long oily undulations, then into ripples tipped with
spray. The fog of sultriness still hung over the city, but ahead lay a fresh
world of ruffled waters, and distant promontories with light-houses in the sun.
Madame Olenska, leaning back against the boat-rail, drank in the coolness
between parted lips. She had wound a long veil about her hat, but it left her
face uncovered, and Archer was struck by the tranquil gaiety of her expression.
She seemed to take their adventure as a matter of course, and to be neither in
fear of unexpected encounters, nor (what was worse) unduly elated by their
possibility.
In
the bare dining-room of the inn, which he had hoped they would have to
themselves, they found a strident party of innocent-looking young men and
women--school-teachers on a holiday, the landlord told them--and Archer's heart
sank at the idea of having to talk through their noise.
"This
is hopeless--I'll ask for a private room," he said; and Madame Olenska,
without offering any objection, waited while he went in search of it. The room
opened on a long wooden verandah, with the sea coming in at the windows. It was
bare and cool, with a table covered with a coarse checkered cloth and adorned
by a bottle of pickles and a blueberry pie under a cage. No more
guileless-looking cabinet particulier ever offered its shelter to a clandestine
couple: Archer fancied he saw the sense of its reassurance in the faintly
amused smile with which Madame Olenska sat down opposite to him. A woman who
had run away from her husband-- and reputedly with another man--was likely to
have mastered the art of taking things for granted; but something in the
quality of her composure took the edge from his irony. By being so quiet, so
unsurprised and so simple she had managed to brush away the conventions and
make him feel that to seek to be alone was the natural thing for two old
friends who had so much to say to each other. . . .
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