"Yes; she's one of the few. In my youth," Miss Jackson rejoined, "it was considered vulgar to dress in the newest fashions; and Amy Sillerton has always told me that in Boston the rule was to put away one's Paris dresses for two years. Old Mrs. Baxter Pennilow, who did everything handsomely, used to import twelve a year, two velvet, two satin, two silk, and the other six of poplin and the finest cashmere. It was a standing order, and as she was ill for two years before she died they found forty-eight Worth dresses that had never been taken out of tissue paper; and when the girls left off their mourning they were able to wear the first lot at the Symphony concerts without looking in advance of the fashion."

"Ah, well, Boston is more conservative than New York; but I always think it's a safe rule for a lady to lay aside her French dresses for one season," Mrs. Archer conceded.

"It was Beaufort who started the new fashion by making his wife clap her new clothes on her back as soon as they arrived: I must say at times it takes all Regina's distinction not to look like . . . like . . ." Miss Jackson glanced around the table, caught Janey's bulging gaze, and took refuge in an unintelligible murmur.

"Like her rivals," said Mr. Sillerton Jackson, with the air of producing an epigram.

"Oh,--" the ladies murmured; and Mrs. Archer added, partly to distract her daughter's attention from forbidden topics: "Poor Regina! Her Thanksgiving hasn't been a very cheerful one, I'm afraid. Have you heard the rumours about Beaufort's speculations, Sillerton?"

Mr. Jackson nodded carelessly. Every one had heard the rumours in question, and he scorned to confirm a tale that was already common property.

A gloomy silence fell upon the party. No one really liked Beaufort, and it was not wholly unpleasant to think the worst of his private life; but the idea of his having brought financial dishonour on his wife's family was too shocking to be enjoyed even by his enemies. Archer's New York tolerated hypocrisy in private relations; but in business matters it exacted a limpid and impeccable honesty. It was a long time since any wellknown banker had failed discreditably; but every one remembered the social extinction visited on the heads of the firm when the last event of the kind had happened. It would be the same with the Beauforts, in spite of his power and her popularity; not all the leagued strength of the Dallas connection would save poor Regina if there were any truth in the reports of her husband's unlawful speculations.

The talk took refuge in less ominous topics; but everything they touched on seemed to confirm Mrs. Archer's sense of an accelerated trend.

"Of course, Newland, I know you let dear May go to Mrs. Struthers's Sunday evenings--" she began; and May interposed gaily: "Oh, you know, everybody goes to Mrs. Struthers's now; and she was invited to Granny's last reception."

It was thus, Archer reflected, that New York managed its transitions: conspiring to ignore them till they were well over, and then, in all good faith, imagining that they had taken place in a preceding age. There was always a traitor in the citadel; and after he (or generally she) had surrendered the keys, what was the use of pretending that it was impregnable? Once people had tasted of Mrs. Struthers's easy Sunday hospitality they were not likely to sit at home remembering that her champagne was transmuted Shoe-Polish.

"I know, dear, I know," Mrs. Archer sighed. "Such things have to be, I suppose, as long as AMUSEMENT is what people go out for; but I've never quite forgiven your cousin Madame Olenska for being the first person to countenance Mrs. Struthers."

A sudden blush rose to young Mrs. Archer's face; it surprised her husband as much as the other guests about the table. "Oh, ELLEN--" she murmured, much in the same accusing and yet deprecating tone in which her parents might have said: "Oh, THE BLENKERS--."

It was the note which the family had taken to sounding on the mention of the Countess Olenska's name, since she had surprised and inconvenienced them by remaining obdurate to her husband's advances; but on May's lips it gave food for thought, and Archer looked at her with the sense of strangeness that sometimes came over him when she was most in the tone of her environment.

His mother, with less than her usual sensitiveness to atmosphere, still insisted: "I've always thought that people like the Countess Olenska, who have lived in aristocratic societies, ought to help us to keep up our social distinctions, instead of ignoring them."

May's blush remained permanently vivid: it seemed to have a significance beyond that implied by the recognition of Madame Olenska's social bad faith.

"I've no doubt we all seem alike to foreigners," said Miss Jackson tartly.

"I don't think Ellen cares for society; but nobody knows exactly what she does care for," May continued, as if she had been groping for something noncommittal.

"Ah, well--" Mrs. Archer sighed again.

Everybody knew that the Countess Olenska was no longer in the good graces of her family. Even her devoted champion, old Mrs. Manson Mingott, had been unable to defend her refusal to return to her husband. The Mingotts had not proclaimed their disapproval aloud: their sense of solidarity was too strong. They had simply, as Mrs. Welland said, "let poor Ellen find her own level"--and that, mortifyingly and incomprehensibly, was in the dim depths where the Blenkers prevailed, and "people who wrote" celebrated their untidy rites. It was incredible, but it was a fact, that Ellen, in spite of all her opportunities and her privileges, had become simply "Bohemian." The fact enforced the contention that she had made a fatal mistake in not returning to Count Olenski. After all, a young woman's place was under her husband's roof, especially when she had left it in circumstances that . . . well . . . if one had cared to look into them . . .

"Madame Olenska is a great favourite with the gentlemen," said Miss Sophy, with her air of wishing to put forth something conciliatory when she knew that she was planting a dart.

"Ah, that's the danger that a young woman like Madame Olenska is always exposed to," Mrs. Archer mournfully agreed; and the ladies, on this conclusion, gathered up their trains to seek the carcel globes of the drawing-room, while Archer and Mr. Sillerton Jackson withdrew to the Gothic library.

Once established before the grate, and consoling himself for the inadequacy of the dinner by the perfection of his cigar, Mr. Jackson became portentous and communicable.

"If the Beaufort smash comes," he announced, "there are going to be disclosures."

Archer raised his head quickly: he could never hear the name without the sharp vision of Beaufort's heavy figure, opulently furred and shod, advancing through the snow at Skuytercliff.

"There's bound to be," Mr. Jackson continued, "the nastiest kind of a cleaning up. He hasn't spent all his money on Regina."

"Oh, well--that's discounted, isn't it? My belief is he'll pull out yet," said the young man, wanting to change the subject.

"Perhaps--perhaps. I know he was to see some of the influential people today. Of course," Mr. Jackson reluctantly conceded, "it's to be hoped they can tide him over--this time anyhow. I shouldn't like to think of poor Regina's spending the rest of her life in some shabby foreign watering-place for bankrupts."

Archer said nothing. It seemed to him so natural-- however tragic--that money ill-gotten should be cruelly expiated, that his mind, hardly lingering over Mrs. Beaufort's doom, wandered back to closer questions. What was the meaning of May's blush when the Countess Olenska had been mentioned?

Four months had passed since the midsummer day that he and Madame Olenska had spent together; and since then he had not seen her. He knew that she had returned to Washington, to the little house which she and Medora Manson had taken there: he had written to her once--a few words, asking when they were to meet again--and she had even more briefly replied: "Not yet."

Since then there had been no farther communication between them, and he had built up within himself a kind of sanctuary in which she throned among his secret thoughts and longings. Little by little it became the scene of his real life, of his only rational activities; thither he brought the books he read, the ideas and feelings which nourished him, his judgments and his visions. Outside it, in the scene of his actual life, he moved with a growing sense of unreality and insufficiency, blundering against familiar prejudices and traditional points of view as an absent-minded man goes on bumping into the furniture of his own room. Absent--that was what he was: so absent from everything most densely real and near to those about him that it sometimes startled him to find they still imagined he was there.

He became aware that Mr. Jackson was clearing his throat preparatory to farther revelations.

"I don't know, of course, how far your wife's family are aware of what people say about--well, about Madame Olenska's refusal to accept her husband's latest offer."

Archer was silent, and Mr. Jackson obliquely continued: "It's a pity--it's certainly a pity--that she refused it."

"A pity? In God's name, why?"

Mr. Jackson looked down his leg to the unwrinkled sock that joined it to a glossy pump.

"Well--to put it on the lowest ground--what's she going to live on now?"

"Now--?"

"If Beaufort--"

Archer sprang up, his fist banging down on the black walnut-edge of the writing-table. The wells of the brass double-inkstand danced in their sockets.

"What the devil do you mean, sir?"

Mr. Jackson, shifting himself slightly in his chair, turned a tranquil gaze on the young man's burning face.

"Well--I have it on pretty good authority--in fact, on old Catherine's herself--that the family reduced Countess Olenska's allowance considerably when she definitely refused to go back to her husband; and as, by this refusal, she also forfeits the money settled on her when she married--which Olenski was ready to make over to her if she returned--why, what the devil do YOU mean, my dear boy, by asking me what I mean?" Mr. Jackson good-humouredly retorted.

Archer moved toward the mantelpiece and bent over to knock his ashes into the grate.

"I don't know anything of Madame Olenska's private affairs; but I don't need to, to be certain that what you insinuate--"