"What's that?" said both instinctively. Lord Antony crossed the room towards the door, which he threw open quickly and suddenly; at that very moment he received a stunning blow between the eyes, which threw him back violently into the room. Simultaneously the crouching, snake-like figure in the gloom had jumped up and hurled itself from behind upon the unsuspecting Sir Andrew, felling him to the ground.
All this occurred within the short space of two or three seconds, and before either Lord Antony or Sir Andrew had time or chance to utter a cry or to make the faintest struggle. They were each seized by two men, a muffler was quickly tied round the mouth of each, and they were pinioned to one another back to back, their arms, hands, and legs securely fastened.
One man had in the meanwhile quietly shut the door; he wore a mask and now stood motionless while the others completed their work.
"All safe, citoyen!" said one of the men, as he took a final survey of the bonds which secured the two young men.
"Good!" replied the man at the door; "now search their pockets and give me all the papers you find."
This was promptly and quietly done. The masked man having taken possession of all the papers, listened for a moment or two if there were any sound within "The Fisherman's Rest." Evidently satisfied that this dastardly outrage had remained unheard, he once more opened the door and pointed peremptorily down the passage. The four men lifted Sir Andrew and Lord Antony from the ground, and as quietly, as noiselessly as they had come, they bore the two pinioned young gallants out of the inn and along the Dover Road into the gloom beyond.
In the coffee-room the masked leader of this daring attempt was quickly glancing through the stolen papers.
"Not a bad day's work on the whole," he muttered, as he quietly took off his mask, and his pale, fox-like eyes glittered in the red glow of the fire. "Not a bad day's work."
He opened one or two letters from Sir Andrew Ffoulkes' pocket-book, noted the tiny scrap of paper which the two young men had only just had time to read; but one letter specially, signed Armand St. Just, seemed to give him strange satisfaction.
"Armand St. Just a traitor after all," he murmured. "Now, fair Marguerite Blakeney," he added viciously between his clenched teeth, "I think that you will help me to find the Scarlet Pimpernel."
It was one of the gala nights at Covent Garden Theatre, the first of the autumn season in this memorable year of grace 1792.
The house was packed, both in the smart orchestra boxes and in the pit, as well as in the more plebeian balconies and galleries above. Gluck's ORPHEUS made a strong appeal to the more intellectual portions of the house, whilst the fashionable women, the gaily-dressed and brilliant throng, spoke to the eye of those who cared but little for this "latest importation from Germany."
Selina Storace had been duly applauded after her grand ARIA by her numerous admirers; Benjamin Incledon, the acknowledged favourite of the ladies, had received special gracious recognition from the royal box; and now the curtain came down after the glorious finale to the second act, and the audience, which had hung spell-bound on the magic strains of the great maestro, seemed collectively to breathe a long sigh of satisfaction, previous to letting loose its hundreds of waggish and frivolous tongues. In the smart orchestra boxes many well-known faces were to be seen. Mr. Pitt, overweighted with cares of state, was finding brief relaxation in to-night's musical treat; the Prince of Wales, jovial, rotund, somewhat coarse and commonplace in appearance, moved about from box to box, spending brief quarters of an hour with those of his more intimate friends.
In Lord Grenville's box, too, a curious, interesting personality attracted everyone's attention; a thin, small figure with shrewd, sarcastic face and deep-set eyes, attentive to the music, keenly critical of the audience, dressed in immaculate black, with dark hair free from any powder. Lord Grenville--Foreign Secretary of State--paid him marked, though frigid deference.
Here and there, dotted about among distinctly English types of beauty, one or two foreign faces stood out in marked contrast: the haughty aristocratic cast of countenance of the many French royalist EMIGRES who, persecuted by the relentless, revolutionary faction of their country, had found a peaceful refuge in England. On these faces sorrow and care were deeply writ; the women especially paid but little heed, either to the music or to the brilliant audience; no doubt their thoughts were far away with husband, brother, son maybe, still in peril, or lately succumbed to a cruel fate.
Among these the Comtesse de Tournay de Basserive, but lately arrived from France, was a most conspicuous figure: dressed in deep, heavy black silk, with only a white lace kerchief to relieve the aspect of mourning about her person, she sat beside Lady Portarles, who was vainly trying by witty sallies and somewhat broad jokes, to bring a smile to the Comtesse's sad mouth. Behind her sat little Suzanne and the Vicomte, both silent and somewhat shy among so many strangers. Suzanne's eyes seemed wistful; when she first entered the crowded house, she had looked eagerly all around, scanning every face, scrutinised every box. Evidently the one face she wished to see was not there, for she settled herself quietly behind her mother, listened apathetically to the music, and took no further interest in the audience itself.
"Ah, Lord Grenville," said Lady Portarles, as following a discreet knock, the clever, interesting head of the Secretary of State appeared in the doorway of the box, "you could not arrive more _A_ PROPOS. Here is Madame la Comtesse de Tournay positively dying to hear the latest news from France."
The distinguished diplomat had come forward and was shaking hands with the ladies.
"Alas!" he said sadly, "it is of the very worst. The massacres continue; Paris literally reeks with blood; and the guillotine claims a hundred victims a day."
Pale and tearful, the Comtesse was leaning back in her chair, listening horror-struck to this brief and graphic account of what went on in her own misguided country.
"Ah, monsieur!" she said in broken English, "it is dreadful to hear all that--and my poor husband still in that awful country. It is terrible for me to be sitting here, in a theatre, all safe and in peace, whilst he is in such peril."
"Lud, Madame!" said honest, bluff Lady Portarles, "your sitting in a convent won't make your husband safe, and you have your children to consider: they are too young to be dosed with anxiety and premature mourning."
The Comtesse smiled through her tears at the vehemence of her friend. Lady Portarles, whose voice and manner would not have misfitted a jockey, had a heart of gold, and hid the most genuine sympathy and most gentle kindliness, beneath the somewhat coarse manners affected by some ladies at that time.
"Besides which, Madame," added Lord Grenville, "did you not tell me yesterday that the League of the Scarlet Pimpernel had pledged their honour to bring M. le Comte safely across the Channel?"
"Ah, yes!" replied the Comtesse, "and that is my only hope. I saw Lord Hastings yesterday. . .he reassured me again."
"Then I am sure you need have no fear. What the league have sworn, that they surely will accomplish. Ah!" added the old diplomat with a sigh, "if I were but a few years younger. . ."
"La, man!" interrupted honest Lady Portarles, "you are still young enough to turn your back on that French scarecrow that sits enthroned in your box to-night."
"I wish I could. . .but your ladyship must remember that in serving our country we must put prejudices aside. M. Chauvelin is the accredited agent of his Government. . ."
"Odd's fish, man!" she retorted, "you don't call those bloodthirsty ruffians over there a government, do you?"
"It has not been thought advisable as yet," said the Minister, guardedly, "for England to break off diplomatic relations with France, and we cannot therefore refuse to receive with courtesy the agent she wishes to send to us."
"Diplomatic relations be demmed, my lord! That sly little fox over there is nothing but a spy, I'll warrant, and you'll find--an I'm much mistaken, that he'll concern himself little with such diplomacy, beyond trying to do mischief to royalist refugees--to our heroic Scarlet Pimpernel and to the members of that brave little league."
"I am sure," said the Comtesse, pursing up her thin lips, "that if this Chauvelin wishes to do us mischief, he will find a faithful ally in Lady Blakeney."
"Bless the woman!" ejaculated Lady Portarles, "did ever anyone see such perversity? My Lord Grenville, you have the gift of gab, will you please explain to Madame la Comtesse that she is acting like a fool. In your position here in England, Madame," she added, turning a wrathful and resolute face towards the Comtesse, "you cannot afford to put on the hoity-toity airs you French aristocrats are so fond of. Lady Blakeney may or may not be in sympathy with those Ruffians in France; she may or may not have had anything to do with the arrest and condemnation of St. Cyr, or whatever the man's name is, but she is the leader of fashion in this country; Sir Percy Blakeney has more money than any half-dozen other men put together, he is hand and glove with royalty, and your trying to snub Lady Blakeney will not harm her, but will make you look a fool. Isn't that so, my Lord?
But what Lord Grenville thought of this matter, or to what reflections this comely tirade of Lady Portarles led the Comtesse de Tournay, remained unspoken, for the curtain had just risen on the third act of ORPHEUS, and admonishments to silence came from every part of the house.
Lord Grenville took a hasty farewell of the ladies and slipped back into his box, where M. Chauvelin had sat through this ENTR'ACTE, with his eternal snuff-box in his hand, and with his keen pale eyes intently fixed upon a box opposite him, where, with much frou-frou of silken skirts, much laughter and general stir of curiosity amongst the audience, Marguerite Blakeney had just entered, accompanied by her husband, and looking divinely pretty beneath the wealth of her golden, reddish curls, slightly besprinkled with powder, and tied back at the nape of her graceful neck with a gigantic black bow. Always dressed in the very latest vagary of fashion, Marguerite alone among the ladies that night had discarded the crossover fichu and broad-lapelled over-dress, which had been in fashion for the last two or three years. She wore the short-waisted classical-shaped gown, which so soon was to become the approved mode in every country in Europe. It suited her graceful, regal figure to perfection, composed as it was of shimmering stuff which seemed a mass of rich gold embroidery.
